William Oliver Williams (1823–1901) was an English figurative and genre artist based in London who specialised in paintings of young women. He used the professional name William Oliver. He has sometimes been mistakenly referred to as 'William Oliver the Younger' or 'William Oliver II'. He was, however, not (as implied) related to the artist William Oliver (1804–1853).
Life and family
Oliver was born in Worcester in 1823, the son of the surgeon William Williams and his wife Jane Williams (née Oliver). He married Jane Elizabeth née Hughes in the district of St Pancras in London in 1852. Two of their sons, Oliver 'Rhys' Williams and Reginald Arthur Williams, also became established artists, with the professional names of Oliver Rhys and Reginald Arthur respectively. William Oliver died in Kensington on 16 April 1901. His obituary notice appeared in the Evening Standard the following day. It was stated as follows. 'OLIVER WILLIAMS, on the 16th inst., 41 Queensgate Gardens, South Kensington, William Oliver Williams ('William Oliver', artist) aged 77'.
Career
Oliver was enrolled (as William Oliver Williams) as a Probationer at the Royal Academy Schools of the Royal Academy of Arts on 18 July 1848 (recommended by Thomas Clark (sic) from Birmingham) and as a student on 16 December 1848. The Schools' register, and other sources, indicate that he also worked at the Government School of Design, Birmingham (see Birmingham School of Art), where he was the assistant master (1849–1851) and the headmaster was Thomas Clarke (1846–1851). Whilst a student at the Royal Academy, he won 1st prize for his drawing from the antique in 1851 in the annual Premiums.
During the early part of Oliver's career he added his surname when signing his works. This was seen with his two works exhibited at the British Institution in 1851 and 1852. He also used the name William Oliver Williams when he exhibited six paintings between 1858 and 1863 at the Royal Academy of Arts. In 1858 the first of two paintings was titled Portrait of a gentleman while the second was Rev. B.H. Kennedy, President of the School of Art, Shrewsbury. At this time Oliver had a Shrewsbury address, possibly suggesting that he worked at the local school of art. The final painting in 1863 was titled Crossing the ford.
In the early 1850s, Oliver received a commission from the Arundel Society to tour Northern Italy and make drawings and watercolours of the classical masterpieces in the churches and galleries. His full name was first mentioned (as 'a young artist from the Royal Academy Schools') in the Society's fourth annual report in 1853. His task was to make drawings of Giotto's fresco in the Arena Chapel in Padua (see Scrovegni Chapel). Engravings were then made from these drawings. He therefore played a key role in producing one of the Arundel Society's most important early publications. Copies of the book of the engravings are in both the collections of the Royal Academy and the Royal Collection Trust
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